Animal Farm

Plot Overview
Old Major, a prize-winning boar, gathers the animals of the Manor Farm for a meeting in the big barn. He tells them of a dream he has had in which all animals live together with no human beings to oppress or control them. He tells the animals that they must work toward such a paradise and teaches them a song called “Beasts of England,” in which his dream vision is lyrically described. The animals greet Major’s vision with great enthusiasm. When he dies only three nights after the meeting, three younger pigs—Snowball, Napoleon, and Squealer—formulate his main principles into a philosophy called Animalism. Late one night, the animals manage to defeat the farmer Mr. Jones in a battle, running him off the land. They rename the property Animal Farm and dedicate themselves to achieving Major’s dream. The cart-horse Boxer devotes himself to the cause with particular zeal, committing his great strength to the prosperity of the farm and adopting as a personal maxim the affirmation “I will work harder.”

At first, Animal Farm prospers. Snowball works at teaching the animals to read, and Napoleon takes a group of young puppies to educate them in the principles of Animalism. When Mr. Jones reappears to take back his farm, the animals defeat him again, in what comes to be known as the Battle of the Cowshed, and take the farmer’s abandoned gun as a token of their victory. As time passes, however, Napoleon and Snowball increasingly quibble over the future of the farm, and they begin to struggle with each other for power and influence among the other animals. Snowball concocts a scheme to build an electricity-generating windmill, but Napoleon solidly opposes the plan. At the meeting to vote on whether to take up the project, Snowball gives a passionate speech. Although Napoleon gives only a brief retort, he then makes a strange noise, and nine attack dogs—the puppies that Napoleon had confiscated in order to “educate”—burst into the barn and chase Snowball from the farm. Napoleon assumes leadership of Animal Farm and declares that there will be no more meetings. From that point on, he asserts, the pigs alone will make all of the decisions—for the good of every animal.
Napoleon now quickly changes his mind about the windmill, and the animals, especially Boxer, devote their efforts to completing it. One day, after a storm, the animals find the windmill toppled. The human farmers in the area declare smugly that the animals made the walls too thin, but Napoleon claims that Snowball returned to the farm to sabotage the windmill. He stages a great purge, during which various animals who have allegedly participated in Snowball’s great conspiracy—meaning any animal who opposes Napoleon’s uncontested leadership—meet instant death at the teeth of the attack dogs. With his leadership unquestioned (Boxer has taken up a second maxim, “Napoleon is always right”), Napoleon begins expanding his powers, rewriting history to make Snowball a villain. Napoleon also begins to act more and more like a human being—sleeping in a bed, drinking whisky, and engaging in trade with neighboring farmers. The original Animalist principles strictly forbade such activities, but Squealer, Napoleon’s propagandist, justifies every action to the other animals, convincing them that Napoleon is a great leader and is making things better for everyone—despite the fact that the common animals are cold, hungry, and overworked.
Mr. Frederick, a neighboring farmer, cheats Napoleon in the purchase of some timber and then attacks the farm and dynamites the windmill, which had been rebuilt at great expense. After the demolition of the windmill, a pitched battle ensues, during which Boxer receives major wounds. The animals rout the farmers, but Boxer’s injuries weaken him. When he later falls while working on the windmill, he senses that his time has nearly come. One day, Boxer is nowhere to be found. According to Squealer, Boxer has died in peace after having been taken to the hospital, praising the Rebellion with his last breath. In actuality, Napoleon has sold his most loyal and long-suffering worker to a glue maker in order to get money for whisky.
Years pass on Animal Farm, and the pigs become more and more like human beings—walking upright, carrying whips, and wearing clothes. Eventually, the seven principles of Animalism, known as the Seven Commandments and inscribed on the side of the barn, become reduced to a single principle reading “all animals are equal, but some animals are more equal than others.” Napoleon entertains a human farmer named Mr. Pilkington at a dinner and declares his intent to ally himself with the human farmers against the laboring classes of both the human and animal communities. He also changes the name of Animal Farm back to the Manor Farm, claiming that this title is the “correct” one. Looking in at the party of elites through the farmhouse window, the common animals can no longer tell which are the pigs and which are the human beings.

Character List
Napoleon -
The pig who emerges as the leader of Animal Farm after the Rebellion. Based on Joseph Stalin, Napoleon uses military force (his nine loyal attack dogs) to intimidate the other animals and consolidate his power. In his supreme craftiness, Napoleon proves more treacherous than his counterpart, Snowball.
Napoleon (In-Depth Analysis)

Snowball -
The pig who challenges Napoleon for control of Animal Farm after the Rebellion. Based on Leon Trotsky, Snowball is intelligent, passionate, eloquent, and less subtle and devious than his counterpart, Napoleon. Snowball seems to win the loyalty of the other animals and cement his power.
Snowball (In-Depth Analysis)
Boxer -
The cart-horse whose incredible strength, dedication, and loyalty play a key role in the early prosperity of Animal Farm and the later completion of the windmill. Quick to help but rather slow-witted, Boxer shows much devotion to Animal Farm’s ideals but little ability to think about them independently. He naively trusts the pigs to make all his decisions for him. His two mottoes are “I will work harder” and “Napoleon is always right.”
Boxer (In-Depth Analysis)
Squealer -
The pig who spreads Napoleon’s propaganda among the other animals. Squealer justifies the pigs’ monopolization of resources and spreads false statistics pointing to the farm’s success. Orwell uses Squealer to explore the ways in which those in power often use rhetoric and language to twist the truth and gain and maintain social and political control.
Squealer (In-Depth Analysis)
Old Major -
The prize-winning boar whose vision of a socialist utopia serves as the inspiration for the Rebellion. Three days after describing the vision and teaching the animals the song “Beasts of England,” Major dies, leaving Snowball and Napoleon to struggle for control of his legacy. Orwell based Major on both the German political economist Karl Marx and the Russian revolutionary leader Vladimir Ilych Lenin.
Old Major (In-Depth Analysis)
Clover -
A good-hearted female cart-horse and Boxer’s close friend. Clover often suspects the pigs of violating one or another of the Seven Commandments, but she repeatedly blames herself for misremembering the commandments.
Moses -
The tame raven who spreads stories of Sugarcandy Mountain, the paradise to which animals supposedly go when they die. Moses plays only a small role in Animal Farm, but Orwell uses him to explore how communism exploits religion as something with which to pacify the oppressed.
Mollie -
The vain, flighty mare who pulls Mr. Jones’s carriage. Mollie craves the attention of human beings and loves being groomed and pampered. She has a difficult time with her new life on Animal Farm, as she misses wearing ribbons in her mane and eating sugar cubes. She represents the petit bourgeoisie that fled from Russia a few years after the Russian Revolution.
Benjamin -
The long-lived donkey who refuses to feel inspired by the Rebellion. Benjamin firmly believes that life will remain unpleasant no matter who is in charge. Of all of the animals on the farm, he alone comprehends the changes that take place, but he seems either unwilling or unable to oppose the pigs.
Muriel -
The white goat who reads the Seven Commandments to Clover whenever Clover suspects the pigs of violating their prohibitions.
Mr. Jones -
The often drunk farmer who runs the Manor Farm before the animals stage their Rebellion and establish Animal Farm. Mr. Jones is an unkind master who indulges himself while his animals lack food; he thus represents Tsar Nicholas II, whom the Russian Revolution ousted.
Mr. Frederick -
The tough, shrewd operator of Pinchfield, a neighboring farm. Based on Adolf Hitler, the ruler of Nazi Germany in the 1930s and 1940s, Mr. Frederick proves an untrustworthy neighbor.
Mr. Pilkington -
The easygoing gentleman farmer who runs Foxwood, a neighboring farm. Mr. Frederick’s bitter enemy, Mr. Pilkington represents the capitalist governments of England and the United States.
Mr. Whymper -
The human solicitor whom Napoleon hires to represent Animal Farm in human society. Mr. Whymper’s entry into the Animal Farm community initiates contact between Animal Farm and human society, alarming the common animals.
Jessie and Bluebell -
Two dogs, each of whom gives birth early in the novel. Napoleon takes the puppies in order to “educate” them.
Minimus -
The poet pig who writes verse about Napoleon and pens the banal patriotic song “Animal Farm, Animal Farm” to replace the earlier idealistic hymn “Beasts of England,” which Old Major passes on to the others.

Analysis of Major Characters
Napoleon
From the very beginning of the novella, Napoleon emerges as an utterly corrupt opportunist. Though always present at the early meetings of the new state, Napoleon never makes a single contribution to the revolution—not to the formulation of its ideology, not to the bloody struggle that it necessitates, not to the new society’s initial attempts to establish itself. He never shows interest in the strength of Animal Farm itself, only in the strength of his power over it. Thus, the only project he undertakes with enthusiasm is the training of a litter of puppies. He doesn’t educate them for their own good or for the good of all, however, but rather for his own good: they become his own private army or secret police, a violent means by which he imposes his will on others.

Although he is most directly modeled on the Soviet dictator Joseph Stalin, Napoleon represents, in a more general sense, the political tyrants that have emerged throughout human history and with particular frequency during the twentieth century. His namesake is not any communist leader but the early-eighteenth-century French general Napoleon, who betrayed the democratic principles on which he rode to power, arguably becoming as great a despot as the aristocrats whom he supplanted. It is a testament to Orwell’s acute political intelligence and to the universality of his fable that Napoleon can easily stand for any of the great dictators and political schemers in world history, even those who arose after Animal Farm was written. In the behavior of Napoleon and his henchmen, one can detect the lying and bullying tactics of totalitarian leaders such as Josip Tito, Mao Tse-tung, Pol Pot, Augusto Pinochet, and Slobodan Milosevic treated in sharply critical terms.
Snowball
Orwell’s stint in a Trotskyist battalion in the Spanish Civil War—during which he first began plans for a critique of totalitarian communism—influenced his relatively positive portrayal of Snowball. As a parallel for Leon Trotsky, Snowball emerges as a fervent ideologue who throws himself heart and soul into the attempt to spread Animalism worldwide and to improve Animal Farm’s infrastructure. His idealism, however, leads to his downfall. Relying only on the force of his own logic and rhetorical skill to gain his influence, he proves no match for Napoleon’s show of brute force.
Although Orwell depicts Snowball in a relatively appealing light, he refrains from idealizing his character, making sure to endow him with certain moral flaws. For example, Snowball basically accepts the superiority of the pigs over the rest of the animals. Moreover, his fervent, single-minded enthusiasm for grand projects such as the windmill might have erupted into full-blown megalomaniac despotism had he not been chased from Animal Farm. Indeed, Orwell suggests that we cannot eliminate government corruption by electing principled individuals to roles of power; he reminds us throughout the novella that it is power itself that corrupts.
Boxer
The most sympathetically drawn character in the novel, Boxer epitomizes all of the best qualities of the exploited working classes: dedication, loyalty, and a huge capacity for labor. He also, however, suffers from what Orwell saw as the working class’s major weaknesses: a naive trust in the good intentions of the intelligentsia and an inability to recognize even the most blatant forms of political corruption. Exploited by the pigs as much or more than he had been by Mr. Jones, Boxer represents all of the invisible labor that undergirds the political drama being carried out by the elites. Boxer’s pitiful death at a glue factory dramatically illustrates the extent of the pigs’ betrayal. It may also, however, speak to the specific significance of Boxer himself: before being carted off, he serves as the force that holds Animal Farm together.
Squealer
Throughout his career, Orwell explored how politicians manipulate language in an age of mass media. In Animal Farm, the silver-tongued pig Squealer abuses language to justify Napoleon’s actions and policies to the proletariat by whatever means seem necessary. By radically simplifying language—as when he teaches the sheep to bleat “Four legs good, two legs better!”—he limits the terms of debate. By complicating language unnecessarily, he confuses and intimidates the uneducated, as when he explains that “a bird’s wing . . . is an organ of propulsion and not of manipulation.” In this latter strategy, he also employs jargon (“tactics, tactics”) as well as a baffling vocabulary of false and impenetrable statistics, engendering in the other animals both self-doubt and a sense of hopelessness about ever accessing the truth without the pigs’ mediation. Squealer’s lack of conscience and unwavering loyalty to his leader, alongside his rhetorical skills, make him the perfect propagandist for any tyranny. Squealer’s name also fits him well: squealing, of course, refers to a pig’s typical form of vocalization, and Squealer’s speech defines him. At the same time, to squeal also means to betray, aptly evoking Squealer’s behavior with regard to his fellow animals.
Old Major
As a democratic socialist, Orwell had a great deal of respect for Karl Marx, the German political economist, and even for Vladimir Ilych Lenin, the Russian revolutionary leader. His critique of Animal Farm has little to do with the Marxist ideology underlying the Rebellion but rather with the perversion of that ideology by later leaders. Major, who represents both Marx and Lenin, serves as the source of the ideals that the animals continue to uphold even after their pig leaders have betrayed them.
Though his portrayal of Old Major is largely positive, Orwell does include a few small ironies that allow the reader to question the venerable pig’s motives. For instance, in the midst of his long litany of complaints about how the animals have been treated by human beings, Old Major is forced to concede that his own life has been long, full, and free from the terrors he has vividly sketched for his rapt audience. He seems to have claimed a false brotherhood with the other animals in order to garner their support for his vision.

Themes, Motifs & Symbols
Themes
Themes are the fundamental and often universal ideas explored in a literary work.
The Corruption of Socialist Ideals in the Soviet Union
Animal Farm is most famous in the West as a stinging critique of the history and rhetoric of the Russian Revolution. Retelling the story of the emergence and development of Soviet communism in the form of an animal fable, Animal Farm allegorizes the rise to power of the dictator Joseph Stalin. In the novella, the overthrow of the human oppressor Mr. Jones by a democratic coalition of animals quickly gives way to the consolidation of power among the pigs. Much like the Soviet intelligentsia, the pigs establish themselves as the ruling class in the new society.

The struggle for preeminence between Leon Trotsky and Stalin emerges in the rivalry between the pigs Snowball and Napoleon. In both the historical and fictional cases, the idealistic but politically less powerful figure (Trotsky and Snowball) is expelled from the revolutionary state by the malicious and violent usurper of power (Stalin and Napoleon). The purges and show trials with which Stalin eliminated his enemies and solidified his political base find expression in Animal Farm as the false confessions and executions of animals whom Napoleon distrusts following the collapse of the windmill. Stalin’s tyrannical rule and eventual abandonment of the founding principles of the Russian Revolution are represented by the pigs’ turn to violent government and the adoption of human traits and behaviors, the trappings of their original oppressors.
Although Orwell believed strongly in socialist ideals, he felt that the Soviet Union realized these ideals in a terribly perverse form. His novella creates its most powerful ironies in the moments in which Orwell depicts the corruption of Animalist ideals by those in power. For Animal Farm serves not so much to condemn tyranny or despotism as to indict the horrifying hypocrisy of tyrannies that base themselves on, and owe their initial power to, ideologies of liberation and equality. The gradual disintegration and perversion of the Seven Commandments illustrates this hypocrisy with vivid force, as do Squealer’s elaborate philosophical justifications for the pigs’ blatantly unprincipled actions. Thus, the novella critiques the violence of the Stalinist regime against the human beings it ruled, and also points to Soviet communism’s violence against human logic, language, and ideals.
The Societal Tendency toward Class Stratification
Animal Farm offers commentary on the development of class tyranny and the human tendency to maintain and reestablish class structures even in societies that allegedly stand for total equality. The novella illustrates how classes that are initially unified in the face of a common enemy, as the animals are against the humans, may become internally divided when that enemy is eliminated. The expulsion of Mr. Jones creates a power vacuum, and it is only so long before the next oppressor assumes totalitarian control. The natural division between intellectual and physical labor quickly comes to express itself as a new set of class divisions, with the “brainworkers” (as the pigs claim to be) using their superior intelligence to manipulate society to their own benefit. Orwell never clarifies in Animal Farm whether this negative state of affairs constitutes an inherent aspect of society or merely an outcome contingent on the integrity of a society’s intelligentsia. In either case, the novella points to the force of this tendency toward class stratification in many communities and the threat that it poses to democracy and freedom.
The Danger of a Naïve Working Class
One of the novella’s most impressive accomplishments is its portrayal not just of the figures in power but also of the oppressed people themselves. Animal Farm is not told from the perspective of any particular character, though occasionally it does slip into Clover’s consciousness. Rather, the story is told from the perspective of the common animals as a whole. Gullible, loyal, and hardworking, these animals give Orwell a chance to sketch how situations of oppression arise not only from the motives and tactics of the oppressors but also from the naïveté of the oppressed, who are not necessarily in a position to be better educated or informed. When presented with a dilemma, Boxer prefers not to puzzle out the implications of various possible actions but instead to repeat to himself, “Napoleon is always right.” Animal Farm demonstrates how the inability or unwillingness to question authority condemns the working class to suffer the full extent of the ruling class’s oppression.
The Abuse of Language as Instrumental to the Abuse of Power
One of Orwell’s central concerns, both in Animal Farm and in 1984, is the way in which language can be manipulated as an instrument of control. In Animal Farm, the pigs gradually twist and distort a rhetoric of socialist revolution to justify their behavior and to keep the other animals in the dark. The animals heartily embrace Major’s visionary ideal of socialism, but after Major dies, the pigs gradually twist the meaning of his words. As a result, the other animals seem unable to oppose the pigs without also opposing the ideals of the Rebellion. By the end of the novella, after Squealer’s repeated reconfigurations of the Seven Commandments in order to decriminalize the pigs’ treacheries, the main principle of the farm can be openly stated as “all animals are equal, but some animals are more equal than others.” This outrageous abuse of the word “equal” and of the ideal of equality in general typifies the pigs’ method, which becomes increasingly audacious as the novel progresses. Orwell’s sophisticated exposure of this abuse of language remains one of the most compelling and enduring features of Animal Farm, worthy of close study even after we have decoded its allegorical characters and events.
Motifs
Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.
Songs
Animal Farm is filled with songs, poems, and slogans, including Major’s stirring “Beasts of England,” Minimus’s ode to Napoleon, the sheep’s chants, and Minimus’s revised anthem, “Animal Farm, Animal Farm.” All of these songs serve as propaganda, one of the major conduits of social control. By making the working-class animals speak the same words at the same time, the pigs evoke an atmosphere of grandeur and nobility associated with the recited text’s subject matter. The songs also erode the animals’ sense of individuality and keep them focused on the tasks by which they will purportedly achieve freedom.
State Ritual
As Animal Farm shifts gears from its early revolutionary fervor to a phase of consolidation of power in the hands of the few, national rituals become an ever more common part of the farm’s social life. Military awards, large parades, and new songs all proliferate as the state attempts to reinforce the loyalty of the animals. The increasing frequency of the rituals bespeaks the extent to which the working class in the novella becomes ever more reliant on the ruling class to define their group identity and values.
Symbols
Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.
Animal Farm
Animal Farm, known at the beginning and the end of the novel as the Manor Farm, symbolizes Russia and the Soviet Union under Communist Party rule. But more generally, Animal Farm stands for any human society, be it capitalist, socialist, fascist, or communist. It possesses the internal structure of a nation, with a government (the pigs), a police force or army (the dogs), a working class (the other animals), and state holidays and rituals. Its location amid a number of hostile neighboring farms supports its symbolism as a political entity with diplomatic concerns.
The Barn
The barn at Animal Farm, on whose outside walls the pigs paint the Seven Commandments and, later, their revisions, represents the collective memory of a modern nation. The many scenes in which the ruling-class pigs alter the principles of Animalism and in which the working-class animals puzzle over but accept these changes represent the way an institution in power can revise a community’s concept of history to bolster its control. If the working class believes history to lie on the side of their oppressors, they are less likely to question oppressive practices. Moreover, the oppressors, by revising their nation’s conception of its origins and development, gain control of the nation’s very identity, and the oppressed soon come to depend upon the authorities for their communal sense of self.
The Windmill
The great windmill symbolizes the pigs’ manipulation of the other animals for their own gain. Despite the immediacy of the need for food and warmth, the pigs exploit Boxer and the other common animals by making them undertake backbreaking labor to build the windmill, which will ultimately earn the pigs more money and thus increase their power. The pigs’ declaration that Snowball is responsible for the windmill’s first collapse constitutes psychological manipulation, as it prevents the common animals from doubting the pigs’ abilities and unites them against a supposed enemy. The ultimate conversion of the windmill to commercial use is one more sign of the pigs’ betrayal of their fellow animals. From an allegorical point of view, the windmill represents the enormous modernization projects undertaken in Soviet Russia after the Russian Revolution.

Chapter I
Summary
As the novella opens, Mr. Jones, the proprietor and overseer of the Manor Farm, has just stumbled drunkenly to bed after forgetting to secure his farm buildings properly. As soon as his bedroom light goes out, all of the farm animals except Moses, Mr. Jones’s tame raven, convene in the big barn to hear a speech by Old Major, a prize boar and pillar of the animal community. Sensing that his long life is about to come to an end, Major wishes to impart to the rest of the farm animals a distillation of the wisdom that he has acquired during his lifetime.

As the animals listen raptly, Old Major delivers up the fruits of his years of quiet contemplation in his stall. The plain truth, he says, is that the lives of his fellow animals are “miserable, laborious, and short.” Animals are born into the world as slaves, worked incessantly from the time they can walk, fed only enough to keep breath in their bodies, and then slaughtered mercilessly when they are no longer useful. He notes that the land upon which the animals live possesses enough resources to support many times the present population in luxury; there is no natural reason for the animals’ poverty and misery. Major blames the animals’ suffering solely on their human oppressors. Mr. Jones and his ilk have been exploiting animals for ages, Major says, taking all of the products of their labor—eggs, milk, dung, foals—for themselves and producing nothing of value to offer the animals in return.
Old Major relates a dream that he had the previous night, of a world in which animals live without the tyranny of men: they are free, happy, well fed, and treated with dignity. He urges the animals to do everything they can to make this dream a reality and exhorts them to overthrow the humans who purport to own them. The animals can succeed in their rebellion only if they first achieve a complete solidarity or “perfect comradeship” of all of the animals against the humans, and if they resist the false notion spread by humans that animals and humans share common interests. A brief conversation arises in which the animals debate the status of rats as comrades. Major then provides a precept that will allow the animals to determine who their comrades are: creatures that walk on two legs are enemies; those with four legs or with wings are allies. He reminds his audience that the ways of man are completely corrupt: once the humans have been defeated, the animals must never adopt any of their habits; they must not live in a house, sleep in a bed, wear clothes, drink alcohol, smoke tobacco, touch money, engage in trade, or tyrannize another animal. He teaches the animals a song called “Beasts of England,” which paints a dramatic picture of the utopian, or ideal, animal community of Major’s dream. The animals sing several inspired choruses of “Beasts of England” with one voice—until Mr. Jones, thinking that the commotion bespeaks the entry of a fox into the yard, fires a shot into the side of the barn. The animals go to sleep, and the Manor Farm again sinks into quietude.
Analysis
Although Orwell aims his satire at totalitarianism in all of its guises—communist, fascist, and capitalist—Animal Farm owes its structure largely to the events of the Russian Revolution as they unfolded between 1917 and 1944, when Orwell was writing the novella. Much of what happens in the novella symbolically parallels specific developments in the history of Russian communism, and several of the animal characters are based on either real participants in the Russian Revolution or amalgamations thereof. Due to the universal relevance of the novella’s themes, we don’t need to possess an encyclopedic knowledge of Marxist Leninism or Russian history in order to appreciate Orwell’s satire of them. An acquaintance with certain facts from Russia’s past, however, can help us recognize the particularly biting quality of Orwell’s criticism (see Historical Background).
Because of Animal Farm’s parallels with the Russian Revolution, many readers have assumed that the novella’s central importance lies in its exposure and critique of a particular political philosophy and practice, Stalinism. In fact, however, Orwell intended to critique Stalinism as merely one instance of the broader social phenomenon of totalitarianism, which he saw at work throughout the world: in fascist Germany (under Adolf Hitler) and Spain (under Francisco Franco), in capitalist America, and in his native England, as well as in the Soviet Union. The broader applicability of the story manifests itself in details such as the plot’s setting—England. Other details refer to political movements in other countries as well. The animals’ song “Beasts of England,” for example, parodies the Internationale, the communist anthem written by the Paris Commune of 1871.
In order to lift his story out of the particularities of its Russian model and give it the universality befitting the importance of its message, Orwell turned to the two ancient and overlapping traditions of political fable and animal fable. Writers including Aesop (Fables), Jonathan Swift (especially in the Houyhnhnm section of Gulliver’s Travels), Bernard Mandeville (The Fable of the Bees), and Jean de La Fontaine (Fables) have long cloaked their analyses of contemporary society in such parables in order to portray the ills of society in more effective ways. Because of their indirect approach, fables have a strong tradition in societies that censor openly critical works: the writers of fables could often claim that their works were mere fantasies and thus attract audiences that they might not have reached otherwise. Moreover, by setting human problems in the animal kingdom, a writer can achieve the distance necessary to see the absurdity in much of human behavior—he or she can abstract a human situation into a clearly interpretable tale. By treating the development of totalitarian communism as a story taking place on a small scale, reducing the vast and complex history of the Russian Revolution to a short work describing talking animals on a single farm, Orwell is able to portray his subject in extremely simple symbolic terms, presenting the moral lessons of the story with maximum clarity, objectivity, concision, and force.
Old Major’s dream presents the animals with a vision of utopia, an ideal world. The “golden future time” that the song “Beasts of England” prophesies is one in which animals will no longer be subject to man’s cruel domination and will finally be able to enjoy the fruits of their labors. The optimism of such lyrics as “Tyrant Man shall be o’erthrown” and “Riches more than mind can picture” galvanizes the animals’ agitation, but unwavering belief in this lofty rhetoric, as soon becomes clear, prevents the common animals from realizing the gap between reality and their envisioned utopia.

Chapter II
Beasts of England, beasts of Ireland,
Beasts of every land and clime,
Hearken to my joyful tiding
Of the golden future time.
(See Important Quotations Explained)
Summary
Three nights later, Old Major dies in his sleep, and for three months the animals make secret preparations to carry out the old pig’s dying wish of wresting control of the farm from Mr. Jones. The work of teaching and organizing falls to the pigs, the cleverest of the animals, and especially to two pigs named Napoleon and Snowball. Together with a silver-tongued pig named Squealer, they formulate the principles of a philosophy called Animalism, the fundamentals of which they spread among the other animals. The animals call one another “Comrade” and take their quandaries to the pigs, who answer their questions about the impending Rebellion. At first, many of the animals find the principles of Animalism difficult to understand; they have grown up believing that Mr. Jones is their proper master. Mollie, a vain carriage horse, expresses particular concern over whether she will be able to continue to enjoy the little luxuries like eating sugar and wearing ribbons in the new utopia. Snowball sternly reminds her that ribbons symbolize slavery and that, in the animals’ utopia, they would have to be abolished. Mollie halfheartedly agrees.

The pigs’ most troublesome opponent proves to be Moses, the raven, who flies about spreading tales of a place called Sugarcandy Mountain, where animals go when they die—a place of great pleasure and plenty, where sugar grows on the hedges. Even though many of the animals despise the talkative and idle Moses, they nevertheless find great appeal in the idea of Sugarcandy Mountain. The pigs work very hard to convince the other animals of the falsehood of Moses’s teachings. Thanks to the help of the slow-witted but loyal cart-horses, Boxer and Clover, the pigs eventually manage to prime the animals for revolution.
The Rebellion occurs much earlier than anyone expected and comes off with shocking ease. Mr. Jones has been driven to drink after losing money in a lawsuit, and he has let his men become lazy, dishonest, and neglectful. One day, Mr. Jones goes on a drinking binge and forgets to feed the animals. Unable to bear their hunger, the cows break into the store shed and the animals begin to eat. Mr. Jones and his men discover the transgression and begin to whip the cows. Spurred to anger, the animals turn on the men, attack them, and easily chase them from the farm. Astonished by their success, the animals hurry to destroy the last remaining evidence of their subservience: chains, bits, halters, whips, and other implements stored in the farm buildings. After obliterating all signs of Mr. Jones, the animals enjoy a double ration of corn and sing “Beasts of England” seven times through, until it is time to sleep. In the morning, they admire the farm from a high knoll before exploring the farmhouse, where they stare in stunned silence at the unbelievable luxuries within. Mollie tries to stay inside, where she can help herself to ribbons and gaze at herself in the mirror, but the rest of the animals reprimand her sharply for her foolishness. The group agrees to preserve the farmhouse as a museum, with the stipulation that no animal may ever live in it.
The pigs reveal to the other animals that they have taught themselves how to read, and Snowball replaces the inscription “Manor Farm” on the front gate with the words “Animal Farm.” Snowball and Napoleon, having reduced the principles of Animalism to seven key commandments, paint these commandments on the side of the big barn. The animals go to gather the harvest, but the cows, who haven’t been milked in some time, begin lowing loudly. The pigs milk them, and the animals eye the five pails of milk desirously. Napoleon tells them not to worry about the milk; he says that it will be “attended to.” Snowball leads the animals to the fields to begin harvesting. Napoleon lags behind, and when the animals return that evening, the milk has disappeared.
Analysis
By the end of the second chapter, the precise parallels between the Russian Revolution and the plot of Animal Farm have emerged more clearly. The Manor Farm represents Russia under the part-feudal, part-capitalist system of the tsars, with Mr. Jones standing in for the moping and negligent Tsar Nicholas II. Old Major serves both as Karl Marx, who first espoused the political philosophy behind communism, and as Vladimir Lenin, who effected this philosophy’s revolutionary expression. His speech to the other animals bears many similarities to Marx’s Communist Manifesto and to Lenin’s later writings in the same vein. The animals of the Manor Farm represent the workers and peasants of Russia, in whose name the Russian Revolution’s leaders first struggled. Boxer and Clover, in particular, embody the aspects of the working class that facilitate the participation of the working class in revolution: their capacity for hard work, loyalty to each other, and lack of clear philosophical direction opens them up to the more educated classes’ manipulation.
The pigs play the role of the intelligentsia, who organized and controlled the Russian Revolution. Squealer creates propaganda similar to that spread by revolutionaries via official organs such as the Communist Party newspaper Pravda. Moses embodies the Russian Orthodox Church, weakening the peasants’ sense of revolutionary outrage by promising a utopia in the afterlife; the beer-soaked bread that Mr. Jones feeds him represents the bribes with which the Romanov dynasty (in which Nicholas II was the last tsar) manipulated the church elders. Mollie represents the self-centered bourgeoisie: she devotes herself to the most likely suppliers of luxuries and comfort.
The animals’ original vision for their society stems from noble ideals. Orwell was a socialist himself and supported the creation of a government in which moral dignity and social equality would take precedence over selfish individual interests. The Russian revolutionaries began with such ideals as well; Marx certainly touted notions like these in his writings. On Animal Farm, however, as was the case in the Russian Revolution, power is quickly consolidated in the hands of those who devise, maintain, and participate in the running of society—the intelligentsia. This class of Russians and their allies quickly turned the Communist Party toward totalitarianism, an event mirrored in Animal Farm by the gradual assumption of power by the pigs. After Lenin’s seizure of power, Communist Party leaders began jockeying for position and power, each hoping to seize control after Lenin’s death. Snowball and Napoleon, whose power struggle develops fully in the next chapters, are based on two real Communist Party leaders: Snowball shares traits with the fiery, intelligent leader Leon Trotsky, while the lurking, subversive Napoleon has much in common with the later dictator Joseph Stalin.
Orwell’s descriptions in this chapter of the pre-Rebellion misery of the farm animals serve his critique of social inequality and the mistreatment of workers. They also make a pointed statement about humans’ abuse of animals. Indeed, the same impulse that led Orwell to sympathize with poor and oppressed human beings made him lament the cruelty that many human beings show toward other species. He got the idea for Animal Farm while watching a young boy whipping a cart-horse. His pity for the exploited horse reminded him of his sympathy for the exploited working class.
Orwell creates a particularly moving scene in portraying the animals’ efforts to obliterate the painful reminders of their maltreatment: this episode stands out from much of the rest of the novella in its richness of detail. In the attention to “the bits, the nose-rings, the dog-chains, the cruel knives,” and a whole host of other instruments of physical discipline, we see Orwell’s profound empathy with the lowest of the low, as well as his intense hatred for physical suffering and its destruction of dignity.

Chapter III
“Four legs good, two legs bad.”
(See Important Quotations Explained)
Summary
The animals spend a laborious summer harvesting in the fields. The clever pigs think of ways for the animals to use the humans’ tools, and every animal participates in the work, each according to his capacity. The resulting harvest exceeds any that the farm has ever known. Only Mollie and the cat shirk their duties. The powerful and hard working Boxer does most of the heavy labor, adopting “I will work harder!” as a personal motto. The entire animal community reveres his dedication and strength. Of all of the animals, only Benjamin, the obstinate donkey, seems to recognize no change under the new leadership.

Every Sunday, the animals hold a flag-raising ceremony. The flag’s green background represents the fields of England, and its white hoof and horn symbolize the animals. The morning rituals also include a democratic meeting, at which the animals debate and establish new policies for the collective good. At the meetings, Snowball and Napoleon always voice the loudest opinions, though their views always clash.
Snowball establishes a number of committees with various goals, such as cleaning the cows’ tails and re-educating the rats and rabbits. Most of these committees fail to accomplish their aims, but the classes designed to teach all of the farm animals how to read and write meet with some success. By the end of the summer, all of the animals achieve some degree of literacy. The pigs become fluent in reading and writing, while some of the dogs are able to learn to read the Seven Commandments. Muriel the goat can read scraps of newspaper, while Clover knows the alphabet but cannot string the letters together. Poor Boxer never gets beyond the letter D. When it becomes apparent that many of the animals are unable to memorize the Seven Commandments, Snowball reduces the principles to one essential maxim, which he says contains the heart of Animalism: “Four legs good, two legs bad.” The birds take offense until Snowball hastily explains that wings count as legs. The other animals accept the maxim without argument, and the sheep begin to chant it at random times, mindlessly, as if it were a song.
Napoleon takes no interest in Snowball’s committees. When the dogs Jessie and Bluebell each give birth to puppies, he takes the puppies into his own care, saying that the training of the young should take priority over adult education. He raises the puppies in a loft above the harness room, out of sight of the rest of Animal Farm. Around this time, the animals discover, to their outrage, that the pigs have been taking all of the milk and apples for themselves. Squealer explains to them that pigs need milk and apples in order to think well, and since the pigs’ work is brain work, it is in everyone’s best interest for the pigs to eat the apples and drink the milk. Should the pigs’ brains fail because of a lack of apples and milk, Squealer hints, Mr. Jones might come back to take over the farm. This prospect frightens the other animals, and they agree to forgo milk and apples in the interest of the collective good.
Analysis
Boxer’s motto, in response to the increased labors on Animal Farm, of “I will work harder” is an exact echo of the immigrant Jurgis Rudkus’s motto, in response to financial problems, in Upton Sinclair’s The Jungle. Whereas Boxer exerts himself for the common good, as his socialist society dictates he must, Jurgis exerts himself for his own good, as his capitalist society dictates he must. Both possess a blind faith that the key to happiness lies in conforming to the existing political-economic system. Committed to socialism, Orwell would almost certainly have read The Jungle, which, published in its entirety in 1906, was a searing indictment of capitalism and galvanized the American socialist movement. His appropriation of Jurgis’s motto for Boxer implicitly links the oppression of capitalism with that of totalitarian communism, as, in each case, the state wholly ignores the suffering of those who strive to be virtuous and work within the system.
The varying degrees of literacy among the animals suggest the necessity of sharing information in order for freedom to be maintained. To the pigs’ credit, they do try to teach the other animals the basics of reading and writing, but the other animals prove unable or unwilling. The result is a dangerous imbalance in knowledge, as the pigs become the sole guardians and interpreters of Animal Farm’s guiding principles. The discrepancy among the animals’ capacity for abstract thought leads the pigs to condense the Seven Commandments into one supreme slogan: “Four legs good, two legs bad.” The birds’ objection to the slogan points immediately to the phrase’s excessive simplicity. Whereas the Seven Commandments that the pigs formulate are a detailed mix of antihuman directives (“No animal shall wear clothes”), moral value judgments (“No animal shall kill another animal”), and utopian ideals (“All animals are equal”), the new, reductive slogan contains none of these elements; it merely establishes a bold dichotomy that masks the pigs’ treachery. The motto has undergone such generalization that it has become propaganda, a rallying cry that will keep the common animals focused on the pigs’ rhetoric so that they will ignore their own unhappiness.
In its simplicity, this new, brief slogan is all too easy to understand and becomes ingrained in even the most dull-witted of minds, minds that cannot think critically about how the slogan, while seeming to galvanize the animals’ crusade for freedom, actually enables the pigs to institute their own oppressive regime. The animals themselves may be partially responsible for this power imbalance: on the whole, they show little true initiative to learn—the dogs have no interest in reading anything but the Seven Commandments, and Benjamin decides not to put his ample reading skills to use. Though the birds don’t understand Snowball’s long-winded explanation of why wings count as legs, they accept it nonetheless, trusting in their leader. It would be unfair, however, to fault the common animals for their failure to realize that the pigs mean to oppress them. Their fervor in singing “Beasts of England” and willingness to follow the pigs’ instructions demonstrate their virtuous desire to make life better for one another. The common animals cannot be blamed for their lesser intelligence. The pigs, however, mix their intelligence with ruthless guile and take advantage of the other animals’ apathy. Their machinations are reprehensible.
Squealer figures crucially in the novel, as his proficiency in spreading lie-filled propaganda allows the pigs to conceal their acts of greed beneath a veneer of common good. His statements and behaviors exemplify the linguistic and psychological methods that the pigs use to control the other animals while convincing them that this strict regime is essential if the animals want to avoid becoming subject to human cruelty again. In the opinion of Orwell, the socialist goals of the Russian Revolution quickly became meaningless rhetorical tools used by the communists to control the people: the intelligentsia began to interpret the “good of the state” to mean the good of itself as a class, and anyone who opposed it was branded an “enemy of the people.” On Animal Farm, Squealer makes himself useful to the other pigs by pretending to side with the oppressed animals and falsely aligning the common good with the good of the pigs.

Chapter IV
Summary
By late summer, news of Animal Farm has spread across half the county. Mr. Jones lives ignominiously in Willingdon, drinking and complaining about his misfortune. Mr. Pilkington and Mr. Frederick, who own the adjoining farms, fear that disenchantment will spread among their own animals. Their rivalry with each other, however, prevents them from working together against Animal Farm. They merely spread rumors about the farm’s inefficiency and moral reprehensibility. Meanwhile, animals everywhere begin singing “Beasts of England,” which they have learned from flocks of pigeons sent by Snowball, and many begin to behave rebelliously.

At last, in early October, a flight of pigeons alerts Animal Farm that Mr. Jones has begun marching on the farm with some of Pilkington’s and Frederick’s men. Snowball, who has studied books about the battle campaigns of the renowned Roman general Julius Caesar, prepares a defense and leads the animals in an ambush on the men. Boxer fights courageously, as does Snowball, and the humans suffer a quick defeat. The animals’ losses amount only to a single sheep, whom they give a hero’s burial. Boxer, who believes that he has unintentionally killed a stable boy in the chaos, expresses his regret at taking a life, even though it is a human one. Snowball tells him not to feel guilty, asserting that “the only good human being is a dead one.” Mollie, as is her custom, has avoided any risk to herself by hiding during the battle. Snowball and Boxer each receive medals with the inscription “Animal Hero, First Class.” The animals discover Mr. Jones’s gun where he dropped it in the mud. They place it at the base of the flagstaff, agreeing to fire it twice a year: on October 12th, the anniversary of the Battle of the Cowshed—as they have dubbed their victory—and on Midsummer’s Day, the anniversary of the Rebellion.
Analysis
This chapter extends the allegory of the Russian Revolution to Russia’s interwar period. The spread of Animalism to surrounding farms evokes the attempts by Leon Trotsky to establish communism as an international movement. Trotsky believed, as did Karl Marx, that communism could only achieve its goals if implemented on a global scale, and he devoted much of his formidable intelligence and eloquence to setting off what Western leaders later called the “Domino Effect.” The Domino Effect, or Domino Theory, posited that the conversion or “fall” of a noncommunist state to communism would precipitate the fall of other noncommunist governments in nearby states. Presidents Truman, Eisenhower, Kennedy, and Johnson used this theory to justify their military involvement in Greece, Turkey, and Vietnam—countries they hoped to “save” from the spread of communism. In Animal Farm, the proprietors of the neighboring farms fear a similar contagion, which we might term the “Snowball Effect.” Just as the West tried to discredit Russian communism, so do Mr. Pilkington and Mr. Frederick spread disparaging rumors about Animal Farm. Just as diplomatic skirmishes between the West and Russia ended up bolstering Trotsky and his allies, the armed skirmish between humans and animals ends up strengthening the animals’ hold on the farm.
In this chapter, Orwell makes masterful use of irony, an important component of satirical writing, to illustrate the gap between what the animals are fighting for and what they believe they are fighting for. All of the animals—except Mollie—fight their hardest in the Battle of the Cowshed, but as Chapter III demonstrates, they do not fully understand the ideals for which they fight, the principles that they defend. In putting all of their energies toward expelling the humans, the animals believe that they are protecting themselves from oppression. In reality, however, they are simply and unwittingly consolidating the pigs’ power by muting the primary threat to the pigs’ regime—the human menace. Moreover, though the animals are prepared to give their lives in defense of Animal Farm, they appear unprepared to deal with the consequences of their fight: Boxer is horrified when he thinks that he has killed the stable boy.
Snowball’s emphatic declaration after the battle of the need for all animals “to be ready to die for Animal Farm” sets up Orwell’s scrutiny of the motivations behind mass violence and manipulative leadership. Many readers have assumed that Animal Farm, in its critique of totalitarian communism, advocates the Western capitalist way of life as an alternative. Yet a closer reading suggests that Orwell may take a more complicated stance. For if the animals represent the Russian communists and the farmers represent noncommunist leaders, we see that Orwell denounces the communists, but also portrays the noncommunists in a very harsh light. Mr. Jones proves an irresponsible and neglectful farm owner, and neither Mr. Pilkington nor Mr. Frederick hesitates to quash violently any animal uprisings that threaten his own supremacy. There is nothing noble in the men’s unprovoked attack on Animal Farm—they undertake this crusade merely out of self-interest.

Chapter IV
Summary
By late summer, news of Animal Farm has spread across half the county. Mr. Jones lives ignominiously in Willingdon, drinking and complaining about his misfortune. Mr. Pilkington and Mr. Frederick, who own the adjoining farms, fear that disenchantment will spread among their own animals. Their rivalry with each other, however, prevents them from working together against Animal Farm. They merely spread rumors about the farm’s inefficiency and moral reprehensibility. Meanwhile, animals everywhere begin singing “Beasts of England,” which they have learned from flocks of pigeons sent by Snowball, and many begin to behave rebelliously.

At last, in early October, a flight of pigeons alerts Animal Farm that Mr. Jones has begun marching on the farm with some of Pilkington’s and Frederick’s men. Snowball, who has studied books about the battle campaigns of the renowned Roman general Julius Caesar, prepares a defense and leads the animals in an ambush on the men. Boxer fights courageously, as does Snowball, and the humans suffer a quick defeat. The animals’ losses amount only to a single sheep, whom they give a hero’s burial. Boxer, who believes that he has unintentionally killed a stable boy in the chaos, expresses his regret at taking a life, even though it is a human one. Snowball tells him not to feel guilty, asserting that “the only good human being is a dead one.” Mollie, as is her custom, has avoided any risk to herself by hiding during the battle. Snowball and Boxer each receive medals with the inscription “Animal Hero, First Class.” The animals discover Mr. Jones’s gun where he dropped it in the mud. They place it at the base of the flagstaff, agreeing to fire it twice a year: on October 12th, the anniversary of the Battle of the Cowshed—as they have dubbed their victory—and on Midsummer’s Day, the anniversary of the Rebellion.
Analysis
This chapter extends the allegory of the Russian Revolution to Russia’s interwar period. The spread of Animalism to surrounding farms evokes the attempts by Leon Trotsky to establish communism as an international movement. Trotsky believed, as did Karl Marx, that communism could only achieve its goals if implemented on a global scale, and he devoted much of his formidable intelligence and eloquence to setting off what Western leaders later called the “Domino Effect.” The Domino Effect, or Domino Theory, posited that the conversion or “fall” of a noncommunist state to communism would precipitate the fall of other noncommunist governments in nearby states. Presidents Truman, Eisenhower, Kennedy, and Johnson used this theory to justify their military involvement in Greece, Turkey, and Vietnam—countries they hoped to “save” from the spread of communism. In Animal Farm, the proprietors of the neighboring farms fear a similar contagion, which we might term the “Snowball Effect.” Just as the West tried to discredit Russian communism, so do Mr. Pilkington and Mr. Frederick spread disparaging rumors about Animal Farm. Just as diplomatic skirmishes between the West and Russia ended up bolstering Trotsky and his allies, the armed skirmish between humans and animals ends up strengthening the animals’ hold on the farm.
In this chapter, Orwell makes masterful use of irony, an important component of satirical writing, to illustrate the gap between what the animals are fighting for and what they believe they are fighting for. All of the animals—except Mollie—fight their hardest in the Battle of the Cowshed, but as Chapter III demonstrates, they do not fully understand the ideals for which they fight, the principles that they defend. In putting all of their energies toward expelling the humans, the animals believe that they are protecting themselves from oppression. In reality, however, they are simply and unwittingly consolidating the pigs’ power by muting the primary threat to the pigs’ regime—the human menace. Moreover, though the animals are prepared to give their lives in defense of Animal Farm, they appear unprepared to deal with the consequences of their fight: Boxer is horrified when he thinks that he has killed the stable boy.
Snowball’s emphatic declaration after the battle of the need for all animals “to be ready to die for Animal Farm” sets up Orwell’s scrutiny of the motivations behind mass violence and manipulative leadership. Many readers have assumed that Animal Farm, in its critique of totalitarian communism, advocates the Western capitalist way of life as an alternative. Yet a closer reading suggests that Orwell may take a more complicated stance. For if the animals represent the Russian communists and the farmers represent noncommunist leaders, we see that Orwell denounces the communists, but also portrays the noncommunists in a very harsh light. Mr. Jones proves an irresponsible and neglectful farm owner, and neither Mr. Pilkington nor Mr. Frederick hesitates to quash violently any animal uprisings that threaten his own supremacy. There is nothing noble in the men’s unprovoked attack on Animal Farm—they undertake this crusade merely out of self-interest.
Chapter V
At this . . . nine enormous dogs wearing brass-studded collars came bounding into the barn. They dashed straight for Snowball. . . .
(See Important Quotations Explained)
Summary
Mollie becomes an increasing burden on Animal Farm: she arrives late for work, accepts treats from men associated with nearby farms, and generally behaves contrary to the tenets of Animalism. Eventually she disappears, lured away by a fat, red-faced man who stroked her coat and fed her sugar; now she pulls his carriage. None of the other animals ever mentions her name again.

During the cold winter months, the animals hold their meetings in the big barn, and Snowball and Napoleon’s constant disagreements continue to dominate the proceedings. Snowball proves a better speaker and debater, but Napoleon can better canvass for support in between meetings. Snowball brims with ideas for improving the farm: he studies Mr. Jones’s books and eventually concocts a scheme to build a windmill, with which the animals could generate electricity and automate many farming tasks, bringing new comforts to the animals’ lives. But building the windmill would entail much hard work and difficulty, and Napoleon contends that the animals should attend to their current needs rather than plan for a distant future. The question deeply divides the animals. Napoleon surveys Snowball’s plans and expresses his contempt by urinating on them.
When Snowball has finally completed his plans, all assemble for a great meeting to decide whether to undertake the windmill project. Snowball gives a passionate speech, to which Napoleon responds with a pathetically unaffecting and brief retort. Snowball speaks further, inspiring the animals with his descriptions of the wonders of electricity. Just as the animals prepare to vote, however, Napoleon gives a strange whimper, and nine enormous dogs wearing brass-studded collars charge into the barn, attack Snowball, and chase him off the farm. They return to Napoleon’s side, and, with the dogs growling menacingly, Napoleon announces that from now on meetings will be held only for ceremonial purposes. He states that all important decisions will fall to the pigs alone.
Afterward, many of the animals feel confused and disturbed. Squealer explains to them that Napoleon is making a great sacrifice in taking the leadership responsibilities upon himself and that, as the cleverest animal, he serves the best interest of all by making the decisions. These statements placate the animals, though they still question the expulsion of Snowball. Squealer explains that Snowball was a traitor and a criminal. Eventually, the animals come to accept this version of events, and Boxer adds greatly to Napoleon’s prestige by adopting the maxims “I will work harder” and “Napoleon is always right.” These two maxims soon reinforce each other when, three weeks after the banishment of Snowball, the animals learn that Napoleon supports the windmill project. Squealer explains that their leader never really opposed the proposal; he simply used his apparent opposition as a maneuver to oust the wicked Snowball. These tactics, he claims, served to advance the collective best interest. Squealer’s words prove so appealing, and the growls of his three-dog entourage so threatening, that the animals accept his explanation without question.
Analysis
This chapter illuminates Napoleon’s corrupt and power-hungry motivations. He openly and unabashedly seizes power for himself, banishes Snowball with no justification, and shows a bald-faced willingness to rewrite history in order to further his own ends. Similarly, Stalin forced Trotsky from Russia and seized control of the country after Lenin’s death. Orwell’s experience in a persecuted Trotskyist political group in the late 1930s during the Spanish Civil War may have contributed to his comparatively positive portrayal of Snowball. Trotsky was eventually murdered in Mexico, but Stalin continued to evoke him as a phantom threat, the symbol of all enemy forces, when he began his bloody purges of the 1930s. These purges appear in allegorized form in the next chapters of Animal Farm.
Lenin once famously remarked that communism was merely socialism plus the electrification of the countryside, a comment that reveals the importance of technological modernization to leaders in the young Soviet Union. The centrality of the electrification projects in the Soviet Union inspired the inclusion of the windmill in Animal Farm. Communist leaders considered such programs absolutely essential for their new nation, citing their need to upgrade an infrastructure neglected by the tsars and keep up with the relatively advanced and increasingly hostile West. Russia devoted a great deal of brain- and manpower to putting these programs in place. As suggested by the plot of Animal Farm, Stalin initially balked at the idea of a national emphasis on modern technology, only to embrace such plans wholeheartedly once he had secured his position as dictator.
This chapter lies near the middle of Orwell’s narrative and, in many ways, represents the climax of the tension that has been building from the beginning. Since the animals’ initial victory over Mr. Jones, we have suspected the motives of the pig intelligentsia and Napoleon in particular: ever since the revelation in Chapter III that they have been stealing apples and milk for themselves, the pigs have appeared more interested in grabbing resources and power than in furthering the good of the farm. Now, when Napoleon sets his dogs on Snowball, he proves that his socialist rhetoric about the common good is quite empty. The specifics of Napoleon’s takeover bespeak a long period of careful plotting: Napoleon has been deliberating his seizure of power ever since he first took control of the dogs’ training, in Chapter III. Thus, the banishment of Snowball constitutes the culmination of long-held resentments and aspirations and climactically justifies our feelings of uneasiness about Napoleon.
In his use of the dogs, Napoleon has monopolized the farm’s sources of defense and protection—the dogs could have guarded the farm and warded off predators—in order to crea